The Prequel Jedi: An Alternative Approach

[I had this lying around on my laptop. I wrote it a while ago, read it now and I still agree with it, so here it is.]

I know the prequels have basically been beaten to death at this point, and that everyone has their own little addition to the large pile of problems with the films, but here’s a fairly basic concept that could have actually made these prequels very interesting:

Have the Jedi be a shadow government.

Here’s a big problem with the prequel Jedi as matters stand. Too many of them are shown to us, so they become homogeneous and therefore boring. At the same time, they appear to be very open about pretty much everything - their powers, their involvement in politics. This kind of jars when you think about how, just twenty years later, people thought the Jedi were just kooky religious nutjobs. I dunno…pretty much anyone who’s been around them would know otherwise.

So take the above alternative. If the Jedi were a very secretive group, shut off from the public and reachable only by the higher echelons of government, it

a) Means you only see a few at a time, which lets you keep them individual and interesting. There’s precedent for this: the Terminators and the Time Lords are prime examples of species who get less interesting the more you see of them. When you have an army of Terminators or Time Lords, they become generic, and therefore less effective. It’s much more interesting to see individual iterations of the basic concept. In the Terminator films, we have very unique characters: the big killer, the deceptively small insidious killer, the reprogrammed savior, the sexbot. In Doctor Who we got the Doctor, the Meddling Monk, the Master, Romana, etc. None feel like stereotypes because they’re unique, not interchangeable with any other individual of their group. The same I think goes for the Jedi. Instead of presenting them as faceless lightsaber-wielders with robes, keep them unique. The OT gave us a deceptively calm old man, a young trainee, a fallen knight, and a trickster-like teacher figure.

b) Lends the Jedi the kind of subdued power that you got from Obi-Wan Kenobi (who, though elderly and quite calm, is clearly a lot more powerful than he seems), since they protect the Republic through influence and indirect action rather than running about en masse waving lightsabers - demonstrating the sort of mental agility and wisdom that comes with the Force and was so under-emphasized in the prequels.

c) Actually can create a scenario where a Jedi conspiracy would sound plausible to the public. In the prequels, that idea always felt ridiculous to me, because anyone who’d interacted with the Jedi - basically, anyone - would know they’re just nice people. But if the Jedi were secretive and insular, this could be used against them - kind of how people in real life extrapolate all sorts of conspiracy theories from the government-imposed gaps in our knowledge ostensibly due to security reasons.

d) And of course fits in nicely with the popular disbelief in the Jedi by a relatively short time into the future.

How cool would that have been - a covert branch of government fighting a phantom menace? You’d have the Jedi try to out-think Palpatine and his plots instead of participating in the big fight scenes; kind of a secret war for control of the Republic. I mean, think about the given Jedi history: secret battles for influence at the top of the food chain culminating in internal purges and greater dictatorship - it makes me think of the NKVD under Stalin. The Jedi might have been suited by such an approach, a sort of quasi-religious secret police.

The main loss from this approach is that it’s more difficult to bring together the non-Jedi elements of the conflict and the Jedi elements, since one would try to distance itself from the other. But you could potentially solve this problem by having the film take place from the point of view of “plainclothes” Jedi, so to speak. In the same way that Obi-Wan traveled in the guise of an old hermit, the Jedi of the prequels could have been indistinguishable from your average guy on the street. This would provide a fairly neat avenue for exploring the character and philosophy of the Jedi while telling a conflict that takes place in the outside world.

Obviously at this point what I’m saying is almost totally incompatible with how the prequels turned out - which may not be a bad thing. But maybe I’m not even talking about Star Wars anymore, maybe I’m just talking about Tinker, Tailor, Soldier, Spy in space. (Holy shit…Alec Guinness was in both! Could young Obi-Wan have been the George Smiley of the old Jedi order?)

Anyway. That’s my input on the matter.

Ah, yes.

I’m “kvural” on NaNoWriMo as well, if you want to buddy me for whatever reason.

Some Updates

I have been quite busy recently for a number of reasons. Let’s list them, shall we?

  • I’m in a panto! Sleeping Beauty’s going up in Tbilisi early December, which means at this point it’s less than a month. So it’s reaching that inevitable time when people (especially people high up) tend to get a bit stressed about, y’know, creating a production that isn’t a total mess. Though we’ll pull through, as shows of this kind always do.
  • I’m translating a 40-page doctoral thesis into English, so that’s taking up a chunk o’ time.
  • I’m also, as a lot of you know, currently doing NaNoWriMo. It’s going fine, thank you for asking, and it’s quite liberating to actually know that I can write fiction to a deadline. It also has that feel of spontaneity…you know how you can write a theatrical comedy, and you labor for endless weeks over a script, and then about 40% of the best final material is stuff you improvise in rehearsals anyway? It’s that sort of feeling…as I’m writing with an outline, I pick up new ideas and hopefully better ones. The title is Rainfall, it’s sci-fi, it’s…I’m on the fence as to whether or not it counts as a Doctor Who fanfic for a number of reasons, but DW fans who read it (cue laughter) will probably find themselves in familiar territory. It’s Doctor Who fanfic in the way that East of Eden is Bible fanfic, let’s put it that way (God, that sounds pretentious. Anyway.). I’d say the biggest challenges at the moment are exposition and fluency. There’s a lot of the former - not really because the plot is all that complex, but because a lot of it has roots in hard science. It’s not a kids’ book, so my assumption is that if I (a layman) can understand it, you can too. But as I said, there’s a decent chunk. As for fluency…basically, there’s a lot of stuff going on in the novel (as I said some time ago, I hope the main criticism will be “you tried to do too much”); there’s a very cast of characters and about two or three major narrative threads. The whole issue of themes isn’t quantifiable to me because, frankly, I’m getting a headache keeping everything tied together on that score. Not to say that I don’t have a couple of “big”, related ideas…but the issue comes in when introducing things that aren’t the center of focus, but may become so later, if you catch my drift. And of course trying not to spell stuff out too much for people. Though I imagine authors are generally hyper-aware of that kind of thing, so maybe I shouldn’t worry too much. All that said, I know that the, let’s say, three main things I want to do in the novel are in fact do-able, even if I’m not up to the task of doing ‘em. I’ll stop now since I’m talking about stuff you haven’t even read or found out much about yet.
  • An event that’s more minor, but with short-term relevance, is that we got the cat de-balled. Huzzah! So he’s basically semi-comatose for long stretches, punctuated by long journeys with questionable navigation skills and motor control to food, the litter, or other places to sleep. He’s quiet, though, and he’s too tired to bother with being naughty. Let’s get a crate of those tranquilizers, I say! My mother, who six months ago thought cats were gross and wouldn’t touch them, is now suggesting we get all the strays living in our car park neutered. Perhaps she’s acting out some sort of frustration? After all, when we took the cat, she did say “Maybe we can get a two-for-one deal” while giving me a meaningful look.
  • Er, moving swiftly on.
  • With regards to the DW reviews…it’s not exactly that I don’t have the time to do them. Rather, I don’t exactly have the headspace for it at the moment. I’d rather keep my mind buzzing about all these other things going on, if you see what I mean. Thinking about DW all the time would detract from my ability to think about the novel, for instance. And major undertakings like the Series 6 review, while not without significant strides to completion, are something I don’t yet have the patience to tackle. After all, I wanna be thorough about this year, and in any case my ravings probably make me sound like I absolutely abhorred the thing…I never hated it unequivocally, and I’ve softened on it with time, but there are a lot of outstanding issues I want to get off my chest, when I have the presence of mind to do so. I couldn’t really say when I’ll get back to the reviews, though I suspect it won’t be until I’ve written the bulk of my rough draft. Generating material is of course a lot harder than editing/critiquing it. (Not that those are easy either.) The main thing now is to get what’s in my head on the page in some form. I’m a couple thousand words below par at the moment, but it’s largely because I’m following the “one day writing like a demon, one day researching/mulling like a demon”.
  • Indirectly inspired by the cat’s detesticling, I came up with the phrase “your legs can’t take you where your heart can’t go”. Does this sound like a vintage love song or something? I can’t get it out of my head, for some reason. Why am I even writing this?

So, this is my life at the moment.

Been busy.

Things will happen.

My 21st birthday’s 20/11/2011.

That’s right, bitches.

WHAT?!

irrelevantandunrelated:

MOFFAT, I HATE YOU.

Ahem, please read news that’s more recent than, like, forever ago.

There will be a full Series 7, though it will start in Autumn 2012.

Seriously, this is like one of the Beeb’s most marketable shows.

That grip of psychological anguish resulting from the urge to tell people about stuff that happens in your novel conflicting with the urge to let them find out for themselves since basically everything is a spoiler.

…eventually neutralized by the realization that, since this is just some random novel some random person is writing, no one actually cares about “spoilers”.

Sex will always be an exciting mystery to children, they’ll always want to know about it. And they’ll learn about it, inevitably, from scary porn and all those barmy urban myths that circulate playgrounds. As a counter to that, shouldn’t responsible kids’ telly at least try to right the balance? Shouldn’t there be someone out there (apart from your boring parents and your boring teachers, who cares what they say) saying that sex is a natural, sometimes funny, sometimes wonderful thing, that decent, kind, nice people do with other decent, kind, nice people? Rather than a sleazy forbidden horror whispered about behind the bike shed. You can’t stop kids finding out about sex. You can at least make sure some of what they hear is sane and reasonable.

Steven Moffat (via tinysprout)

I love every word this man says.

(via rosalarian)

Moffat.

(via iamtheblackswanqueen)

Not something I would expect the Moff to talk about, but you have to admit the man’s got a point.

(via therothwoman)

So let’s write female characters who approach sex in a mature way!

Oh, wait.

(Source: mr-owls, via therothwoman)

I’ve discovered the “trashy romance novel cover” filter on Photoshop.

I’ve discovered the “trashy romance novel cover” filter on Photoshop.

Resisting the urge to write a zillion-page review of Series 6.

My current maximum is 3.4 squillion.

It’s coming soon, though.

Nothing: regretted.

Nothing: regretted.

The Day My Cat Became A Slug

The Day My Cat Became A Slug

whoniverseconfessions:

‘Most of Moffat’s RTD-era scripts felt very passive-aggressive to me,  like he was trying to shove RTD’s characters and love interests out of  the way and superimpose his own. Maybe it was unintentional, but it  makes him seem petty imo, and jealous of the fact that RTD was the one  to revive the series.’ 

…sort of, yeah.

whoniverseconfessions:

‘Most of Moffat’s RTD-era scripts felt very passive-aggressive to me, like he was trying to shove RTD’s characters and love interests out of the way and superimpose his own. Maybe it was unintentional, but it makes him seem petty imo, and jealous of the fact that RTD was the one to revive the series.’

…sort of, yeah.